Dil Toh Bachcha Hai Ji

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Starring: Ajay Devgn,Emran Hashmi,Omi Vaidya,Tisca Chopra,Shruti Haasan, Shraddha Das;
Directed by: Madhur Bhandarkar;

Ummm….Picture to achcha hai jee. Disregarding the rather strenuously upbeat ending "Dil Toh Bachcha Hai Ji" (DTBHJ) turns out to be quite a charming and clever concoction. Though this time Madhur Bhandarkar, one of the strongest celluloid creators of contemporary times, veers into virgin territory, the trademark Bhandarkar touches, like the almost-incestuous use of sex as a bartering point between the sexes, are evident everywhere in this multi-plot story of love, sex and betrayal during times of laughter music and backchat in Mumbai.

The writing (by Bhandarkar, Anil Pandey and Neeraj Udwani) weaves skillfully through the hearts and conscience of our three heroes who are designed to be a study in contrasts and yet so believable, you can touch their lives by just watching them stumble, fall and redeem themselves in tentative, sometimes funny, sometimes moving ways.

This, then, is the story of three house-mates wading through the concrete jungle of Mumbai in search of love, sex and, yes, a sense of belonging. Their houses, hearts and environment look believable. They are shot to resonate reality.

Though projected outwardly as a comedy, DTBHJ has deeper, darker resonances that we cannot miss even if we are too busy laughing at the protagonists' clumsy attempts to get lucky in love.

Bhandarkar's narration communicates that sense of empty enjoyment that you can feel under all the glitz and noise of Mumbai's racing pulse. Omi Vaidya, who plays the most idealistic love-seeker of the triumvirate, says to the go-getting struggler from Mumbai(Shraddha Das) at a pub, "How can people talk in here?" She of course doesn't hear him. She's lost in the pursuit of her wanna-shine dreams that take her further and further out of reach of true love.

Vaidya is in splendid form here, far more in control of his character's destiny than in "3 Idiots". In the way he hybridizes his yankee accent with Marathi and a sense of earnestness with a subtle tone of mischief, Vaidya is absolutely endearing. So is Emran Hashmi. Playing the character with the steepest graph, Hashmi goes from Tisca Arora's toyboy to the new-age Devdas rejected in love by the savvy NRI chick who has social conscience and a practical attitude to men.

When Shruti Haasan (looking so lovely you know she's found her metier in Hindi films) turns around and tells the philanderer, "Yeah, so we slept together. So what? It wasn't your first time nor mine," you know that Bhandarkar has not abandoned his scathing and savage exploration of urban values which made his heroine-centric dramas from "Chandni Bar" to "Fashion" so unforgettable. He's only added laughter to his cinema.

In DTBHJ, Bhandarkar walks a tightrope. He has to balance the laughter with the dark underbelly of Mumbai's beautiful, but alas, desolate people. Besides the powerful writing (Sanjay Chel's dialogues are tongue-in-cheek and sometimes killing in their effectual demolition of the sacred cows of urban conduct) and razor-sharp characterization (barring the caricatural people in Devgn's office), the film gets high marks for dead-on casting.

Every actor breathes life into the constantly mutating comedy. If we care for all the three love stories that run in criss (never crass) cross it is because the actors enacting the love relationships go beyond their own personalities in search of the people they play. While Omi Vaidya and Emran Hashmi make a great impact, it is Ajay Devgn, echoing Amol Palekar's Common Man from the 1970s, who must be congratulated in the loudest voice for abandoning his 6-pack mean-mirth-machine image to play a mousy middle-aged divorcee with the hots for his comely secretary.

Among the female cast, Shazahn Padamsee is extremely easy on the eyes and fits her bubbly ingenue's part like a chic glove. Tisca Arora as the bored socialite who strays into a lust liaison with an ever-ready glorified gigolo, lends a certain weight to the proceedings with her fiery eyes.

DTBHJ is a true-blue sex comedy that doesn't lapse into unnecessary passages of vulgarity and innuendos. Though Bhandarkar has sought inspiration from the romantic comedies by Hrishikesh Mukherjee and Basu Chatterjee, the style of storytelling and the tantalizing merger of libido and urban morality would have flummoxed those wondrous comedy makers.

Times have changed. So have the films. Thankfully we still have filmmakers who believe the story is the hero. This is the world of Bhandarkar's "Page 3" coming together with the laughter of Blake Edwards' rom-coms.

A must-see film with enough meat in the plot to keep us engaged till the end. And three heroes who never take off their shirts even when they are sweating in nervous anxiety.

Love is like that only.

7 Khoon Maaf

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Cast: Priyanka Chopra,Naseeruddin Shah,Konkona Sen Sharma
Director: Vishal Bharadwaj


Releasing on Feb 18, 2011

7 Khoon Maaf Synopsis
Any Vishal Bhardwaj film warrants attention and his next, 7 Khoon Maaf, starring Priyanka Chopra as a hubby killer, is no different. Starring a host of actors including Neil Nitin Mukesh, Irrfan Khan, John Abraham and Naseeruddin Shah, Saat Khoon Maaf is based on author Ruskin Bond’s book Susana’s Seven Husbands.

Free Indian Songs Downlaod Patiala House

• Laung Da Lashkara  
• Kyun Main Jaagoon 
• Rola Pe Gaya
• Aadat Hai Voh
• Baby When You Talk To Me
• Tumba Tumba
• Kyun Main Jaagoon (Unplugged)
• Aval Allah
• Kyun Main Jaagoon (Remix)
• Baby When You Talk To Me (Remix)
• Rola Pe Gaya (Remix)  
• Laung Da Lashkara (Remix)

Starring : Akshay Kumar, Anushka Sharma, Rishi Kapoor
Director : Nikhil Advani

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Synopsis

Directed by Nikhil Advani, Patiala House is a joint family drama-comedy. The movie brings back the hit ‘Bobby’ couple Dimple Kapadia and Rishi Kapoor along with Akshay Kumar and Anushka Sharma in the lead. And, as the name suggests, the movie is about Punjabis. India’s only female rap singer Hard Kaur shows her acting skills for the first time in Patiala House.

Toonpur Ka Superrhero

• Let's Go To Toonpur
• Nach Mere Naal
• Jeetoge Tum  
• Rubdoot
• Baliye
• Let's Go To Toonpur (Remix)
• Nach Mere Naal (Remix) 

Cast: Ajay Devgan, Kajol

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An Eros International Worldwise Release, Indias first live action- 3D animation combination film TOONPUR KA SUPERRHERO is all Set to hit the screens on December 24 2010.

Written by Raagi Bhatnagar and Directed by Kireet Khurana, TOONPUR KA SUPERRHERO is Kajol's comeback movie with hubby Ajay Devgan after U, ME AUR HUM (2008). The movie also stars Mukesh Tiwari, Sanjay Mishra, Delnaz Paul, Amey Pandya, Chinky Jaiswal and (Tanuja in Special Appearence) along with a number of animated characters.

The music of the film given by Anu Malik. 

'Aditya (Ajay Devgan) a film superstar and his wife Priya (Kajol) have achieved all the success they have dreamed of.'

'The children would rather have a father who is 'Real life' hero than a reel life hero.''

'Aditya wants to redeem himself in the eyes of his children when suddenly, opportunity comes knocking on his door when he finds himself in Toonpur.'

'The land of his children's favourite cartoons, where he has to fight Toonasurs (bad toons) to save the Devtoons (good toons) 

Tees Maar Khan Songs Douwnload

Songs

• Tees Maar Khan
• Sheila Ki Jawani
• Wallah Re Wallah
• Badey Dilwala
• Happy Ending
• Tees Maar Khan (Remix)
• Sheila Ki Jawani (Remix)
• Wallah Re Wallah (Remix)
• Badey Dilwala (Remix)

Director : Farah Khan
Starring : Akshay Kumar, Katrina Kaif and Akshaye Khanna

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UTV Motion Pictures, Hari Om Entertainment Company & Three's Company Production present action comedy TEES MAAR KHAN. It's Farah Khan's third directorial film after OM SHANTI OM and MAIN HOON NA. Akshay Kumar and Katrina Kaif star yet again in this film. It will also see Akshaye Khanna, Raghu Ram, Rajiv and Ali Asgar. It's produced by Twinkle Khanna, Shirish Kunder & Ronnie Screwvala. The script is penned by Shirish Kunder. Ashmith Kunder is the editor.

Only once in a blue moon is such a great criminal born who is fearless as well as shameless! Now is the blue moon and the great criminal is TEES MAAR KHAN. He steals, cons and cheats all with such alarming audacity that even shame shies away from him! He and his gang comprising of Dollar, Soda and Burger have managed to keep the police, world over, on their toes. Then one fine day international antique smugglers, the Johri Brothers, assign Tees Maar Khan the BIGGEST CON JOB OF HIS LIFE! He must rob antiques worth 500 crore rupees from a heavily guarded MOVING TRAIN! Will Khan and his merry gang, with some unwitting support from his wannabe-actress girlfriend, Anya, and a greedy Bollywood superstar be able to pull off the greatest heist in history?

Free songs download Yamla Pagla Deewana

• Yamla Pagla Deewana 
• Charha De Rang 
• Tinku Jiya
• Sau Baar 
• Chamki Jawani  
• Son Titariya 
• Kadd Ke Botal 
• Yamla Pagla Deewana (House Mix)
• Charha De Rang - Ver.2
• Charha De Rang (Pervaiz Adlib)
• Charha De Rang (Rahat Adlib)  
• Gurbani
  

Director: Samir Karnik

Cast: Dharmendra,Sunny Deol,Bobby Deol

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Director Samir Karnik has long been associated with the Deols, and his last outing, HEROES, which was received with much critical acclaim and was partly successful too, saw some memorable songs by Sajid- Wajid and Monty Sharma. This time however the canvas gets bigger and things even more exciting as the three hunks, the original he man, ageless Dharmendra, macho man Sunny and handsome Bobby come together to bomb blast the screen with their aptly titled YAMLA PAGLA DEEWANA. Last time when the trio came together in the hit family cum action drama, APNE, the music by Himesh Reshammiya became quite popular. This time however, YPD promises to be a rollicking roller coaster fun ride and the music album of the film promises some fun filled invigorating 'dhol, taashe' laced Punjabi flavoured songs, more 'desi' rather than metro centric. And we are sure, especially after the scintillating musical success of BAND BAAJA BAARAAT audio, Punjabi is the flavour of the season. Not entrusting one composer, the makers have gone in for as many as five music directors. We will know the reason after listening to the album but we are quite sure that the amalgamation of the new and veteran composers will give us music lovers a wide variety of songs to listen to and savour. So let's get the ball rolling and see what they have in store for us!

The starting is on the expected line with the iconic Mohd Rafi, Laxmikant-Pyarelal number, 'Main Jat Yamla Pagla Diwana' originally by Laxmikanth-Pyarelal with lyrics by Anand Bakshi (titled 'YPD Title Track (RDB) Version 1') with which Dharm pa ji has come to be associated with ever since the superlative success of the film, PRATIGYA, and it's song which still remains evergreen in the minds and hearts of music buffs. Naturally the song has been rearranged (by RDB) and resung by Mohd Rafi's new avatar, the highly talented Sonu Nigam, who does full justice to the composition and giving him able company is Nindy Kaur. Not much 'chhed chhad' has been (thankfully!) done and the old world charm of the composition has been retained thanks to RDB, who do their bit to refurbish the track with additional lyrics and lively background music arrangements. Nostalgia revisited indeed!

'Charha De Rang', the first original track of the album has been composed by Nouman Javaid and this number features as many as four times (Original plus 'Rahat Fateh Ali Khan Version 2', 'Pervez Adlib Version' & 'Rahat Adlib Version') in the album. There are different versions of the same song but there are no remixes. Although there is a slower version (sans any musical backing up) which is quite brief as well. Quite a few singers have been shortlisted for the song and prominent amongst them are Rahat Fateh Ali Khan, Rahul B. Seth, Shweta Pandit, Mahalaxmi Aiyer and Ali Pervez Mehdi, all of whom do a splendid job. This song too has an old world charm about it considering the immensely sweet melody that encapsulates the song. The use of Hindustani music instruments like flute, 'daf', 'sarangi' etc lend a surreal classic touch to the song. Though quite heavily loaded with Punjabi lyrics (by Nouman Javaid and Rahul B Seth) the song should find its patrons because it is a highly classy number and the use of 'heer' (in portions) which is a sad Punjabi love note by male singers (especially Rahat!) is simply superb. The female singers pump up the proceedings with vigorous singing naturally Punjabi ishtyle!

Veteran composer (cum lyricist here) Anu Malik, who has composed quite a few chartbusters especially for Bobby and Sunny, gets another chance with 'Tinku Jiya' which if classified is an item/dance number where Anu fuses the new with the old. Its like 'Munni Badnaam Huyi' meeting 'Sarkailo Khatiya' (RAJA BABU), more precisely the song is folk inspired and the number that comes to mind is 'Phulori Bina Chatni Kaise Bani'. However the song will definitely appeal to the front benchers who are the real target audience here. The trump card is Mamta Sharma, the superstarni of Bhojpuri item numbers and after 'Munni' quite a name in Bollywood too. We are sure that her presence here along with the sweet sounding vocals of Javed Ali will definitely help the song achieve a hit status. But one wished that Anu had come up with something more original and catchy especially since the tune that he uses has been done to death

Another veteran composer, Sandesh Shandilya, gets to showcase his class with the next number, 'Sau Baar', a love ditty that might come as a surprise to many. However people tend to forget that all the three Deols may be full-fledged 'masala' action heroes but they have quite a few memorable love songs to their credit, especially Dharmendra and Sunny. Coming to the love ballad, it's a gem that will be loved by die hard romantics. The melody is superb, the catchline, 'Sau baar ye kahe dil ke aaja tujhe pyar karein' is worth repeating all over. Irshad Kamil's lyrics are simple and effective and succeed in invoking the eternal feeling of love. Promising singer Omar Nadeem is good but in parts he sounds (or tries to) like Atif Aslam, but who cares as long as the track sounds good! Giving him apt company is melody queen Shreya Ghoshal, who is superb as always.

The makers putting a lot of faith in Anu give him a second chance (both as composer and lyricist) and once again it's an all out dance number cum 'qawwali', 'Chamki Jawaani' sung by Mamta Sharma, Daler Mehdi and Master Salim. However despite the presence of these highly talented singers the song fails to impress and it's the composition that fails, not the singers who do a fabulous job. The problem lies with the composer who simply mixes and matches several tunes (few that come to mind are, 'Husn Waalon Se Allah Bachaye'-Nusrat Fateh Ali Khan, 'Sharma Ke Agar Kyun Pardanasheen)'(CHAUDHVI KA CHAAND), 'Chalat Musafir Moh Liya Re'(TEESRI KASAM) to come up with a medley of sorts that unfortunately does not deliver at all. Even Dharmendra's superhit love song, 'Chalkaye Jaam' finds a place but to no avail. Anu has tried all the tricks in the book to conjure up a 'dhamaal' dance number, the intension is loud and clear but it fails to entertain overall and might just click with the audience of interiors , especially the Bhojpuri belt of UP - Bihar.

As if two dance numbers were not enough, there is a third one which is 'Son Titarya' but this time, it's by Rahul B Seth and Nouman Javaid who are credited as both composers and lyricists. Once again targeting the interiors, this song is folk based and sung by Krishna Beura who has in the past shown that he is a name to reckon with in this genre. To the credit of the composer duo, this number is catchy, the lyrics more decent and cute, this time they are in 'Awadhi' rather than Bhojpuri . 'Hamri saari herogiri to bas dhari rah gayi, Uske roop ke sagar mein to tel laga ke bah gayi.' The 'nautanki' feel of the composition is kept alive by rampant use of harmonium, 'dholak' and lots of 'seetees' (whistles) in the background. The song will definitely look good on screen if picturized well.

All those who were missing an all out 'Bhangra' dance based number, the makers have certainly saved it for the penultimate song as we have, 'Kadd Ke Botal' composed by Rahul B Seth which can also be called the title track and is a fun celebratory number. Written by Dharmendra who had also rendered it in one of the award shows, the tune of the song is based on a very popular Punjabi folk on which quite a few Hindi film songs too have been based. In fact Sunny Deol's DILLAGI too had a similar type number, although this song is more 'desi' flavoured with lots of Indian musical instruments. Sukhwinder Singh, who has been a favourite with the Deols, puts in a much required appearance and he certainly helps the cause with some highly energetic rendition which is required in these type of songs. He is well supported by Harshdeep and Rosalie Nicholson who provide the song with the much needed oomph.

Winding off the album on holy note there is a brief 'Gurbani' rendered excellently by Shahid Mallya. In the past we have had a few Gurbanis and the last that we can remember is 'Shabad Gurbani' from Ajay Devgn's HALLA BOL The devotional track is composed by Sanjoy Chowdhury and as it is a 'gurbani' it's naturally picked up from the holy book , Shri Guru Granth Sahib. A song to calm the mind and cleanse the soul. A lovely and serene end to the album.

The music album certainly is a mix bag with some very hummable and enjoyable tracks like the title tack, 'YPD Title Track (RDB) Version 1' (so what if it's rearranged), 'Charha De Rang' and 'Sau Baar'. Anu Malik's 'Tinku Jiya' has the capacity to pull off a surprise and 'Son Titarya' has its own cute charm. Worth a buy just for nostalgic reasons, if nothing else.

Source:http://www.glamsham.com/music/reviews/15-yamla-pagla-deewana-music-review-121010.asp#comments

Atithi Tum Kab Jaoge ?

Songs

• Atithi Tum Kab Jaoge
• Jyoti Jalaile
• Aaja Aaja
• Dohe
• Sukhakarta
• Aaja Aaja - Remix 

Director : Ashwani Dhir
Cast : Ajay Devgn, Konkona Sen Sharma, Paresh Rawal

WALLPAPER 

Meet an urban and upwardly mobile family that has never had a houseguest before. Puneet (Ajay Devgan) is a mediocre film writer who is writing a script about a blind woman who can see and a mute man who can speak. His interior designer wife Munmun (Konkana Sen Sharma) struggles with her spoken Hindi, but rants in Bengali when she is angry. Their young son too gets pulled up at school for being a weak Hindi student.
Based on a short story by the late satirist, Sharad Joshi, the film opens with laborious explanations on the meaning of ‘Athithi Daivo Bhawa’ (Sanskrit for ‘The Guest is akin to God).

The heavily pre-empted guest arrives at Puneet and Munmun’s doorstep in the form of a never-seen-before relative from Gorakhpur. The harmless looking Chachaji (Paresh Rawal), armed with a dhoti and gamcha invades, rather unpleasantly, the family’s intimate nuclear set-up. Chachaji slaps the watchman, gargles like a garbled gargoyle at 5 in the morning, and brace your self, farts noisy stinkers all over the house.
Much to the chagrin of Puneet & Munmun, Chachaji begins to make their home his own and even orders extensive food preparations from the independent Munmun.

The frustrated couple soon realizes that chachaji has no return date in mind and they try different methods to get rid of him. But it all seems to be in vain as chachaji is made of sterner stuff.

Is the humor your cup of tea? Decide for yourself.

In one scene, the couple get an actor friend to fake a call from chachaji’s village informing chachaji that his wife has died (yes, the writers must have forgone the basics of humanity for the sake of comedy) Predictably, it is revealed that chachiji had passed away 5 years ago and chachaji gets the actor-friend thrashed by the cops. The irate couple goes to the extent of hiring an underworld don to threaten chachaji into leaving, but to their dismay, the thug begins to worship the chacha who has his traditional values intact. .

In spite of a dodgy screenplay and scenes that go on and on, the clever casting does somewhat manage to hold it together. Paresh Rawal plays the part of the unwanted guest excellently, and refrains from making him loud and menacing. Ajay Devgan manages to stay his subdued self for most of the film and shares neat chemistry with Konkana Sharma. Konkana gets her comedy quite right. Together, the couple put in a natural performance.

A really funny moment has chachaji in a temple, singing a bhajan for Durga Maa to the tune of, brace yourself again, ‘Beedi Jalaile’ the Bipasha Basu hit song. Also funny are the scenes where Munmun follows chachaji around the house with a can of air freshener to combat his deadly flatulence.

Undoubtedly, anyone who has had a difficult houseguest will relate to plight of the family. Not only is their privacy interminably invaded, but they also have to exasperationgly tune their western minds towards the rural values of the ‘desi’ uncle. This aspect of the story is particularly interesting, exposing a whole generation of city bred children, like Puneet and Munmun’s son, who know very little about the significance of Indian culture and its values.

The film has a soulful message, the comic timing comes out right and the acting is well controlled. Unfortunately, the rest of the filmmaking is not in control. The script is strangely schizophrenic, ranging from great one-liners to illogical babble. The is editing is indulgent and the gags stay on screen stay well beyond their punch lines.

‘Athithi Tum Kab Jaoge’ builds up moments nicely, but like all flatulence, it throws up far more than it can digest. Watch; but with a can of air freshener next to your popcorn.